2023年《撒哈拉的故事》读后感400字(实用十四篇)

时间:2024-12-19 作者:储xy

当认真看完一部作品后,相信大家的收获肯定不少吧,是时候写一篇读后感好好记录一下了。读后感书写有哪些格式要求呢?怎样才能写一篇优秀的读后感呢?下面是我给大家整理的读后感范文,欢迎大家阅读分享借鉴,希望对大家能够有所帮助。

《撒哈拉的故事》读后感400字篇一

如果说前部分是即使在恶劣环境中,也能轻松调侃生活,后半部分看到了她对所处现状的深思。无力拯救的哑奴,眼睁睁看着为自由为子民而战的那么美好的巴西里、沙希达屈辱的死在自己族人的手里,在军曹牺牲的背后看不清到底是谁在迫害谁,又到底是谁救赎了谁。

她不会赤裸的表达她自己的思想,却能让读者引发深思

我百度了三毛的一生经历,也了解了她作品的先后顺序,我知道《撒哈拉的沙漠》是她自由时光里与荷西生活的写照,是她的成名作,本书中所有的文字都是抛开她个人生活之外的思考,在贫瘠的日子里,我能看到彼时的她的灵魂一定是幸福且自由的,我也知道《梦里花落知多少》是她最后的巅峰之作,却是失去她的灵魂伴侣之后的对生活的深思,我不了解这本书,却在了解了三毛一生的经历之后不敢去看这本书,也许是成长了吧,以前觉得顺利又开心的故事立意不够有深度,现在却宁愿沉浸在happy ending里不愿去看到残酷的真相。

《撒哈拉的故事》读后感400字篇二

她,犹如一杯淡淡的茶,喝时直觉得苦涩,可喝完了,她的幽香却是一直萦绕舌尖,不得消去。

一本书,一个人,一片沙漠,一记记清晰又模糊的脚印,一串串轻松平淡却又不轻松不平淡的故事。

《沙漠中的饭店》让我读到了做饭的乐趣;《结婚记》让我读到了别样的勇气;《悬壶济世》让我读到了人心的善良;《娃娃新娘》让我感受到了沙漠的风情万种。

《荒山之夜》不平等的对待让我气愤;《沙漠观浴记》我体会到了好奇心的滋味;《爱的寻求》爱情的力量让我不解;《芳邻》让我看到了一群可爱的邻居。

《素人邻居》第一次让我感到了人际交往的无奈;《死果》宛如现实生活中的灵异片;《天梯》教我如何平等待人;《白手成家》把生活的艰辛与不易展现得淋漓尽致。

《收魂记》展现出的撒哈拉威人是那么迂腐;《沙巴军曹》舍己为人的品质让人尊敬;《搭车客》让我感受到了人的可爱因为人心的柔软;《哑奴》因为人们的旧观而受尽苦难;《哭泣的骆驼》让我体会到了和平的可贵。

在这么多篇中,我对每一篇都有着不同的感受。但,三毛,在我每次阅读后,都会慢慢添补,慢慢成形,成为一个让我钦佩让我无比欣赏的人。她善良,她追求自由。《爱的寻求》中“我只有这么说,不伤害他,也不昧着自己的良心”。她很有主见的人,不会因为让别人开心就放弃自己的立场,不会因为有阻力就放弃自己所爱,追得潇洒,追得疯狂。她敏感,她纯真如水。《荒山之夜》的冷,“像几百只小刀子一样地刺着我,应该还不到零度,我却被冻得快要倒下去了。”我们能从中读出作者对荷西深深的爱,不只是身的冷,还有爱的痛。读了让我心痛,心碎,也心醉。让我怎能不喜欢您的文字,您这人呢?

《撒哈拉的故事》还给我展示了一个不一样的世界,她冲击着我这个小小的世界。其中,《哑奴》让我最难忘。撒哈拉威人真的是太迂腐了,竟以一个人的肤色来决定他的身份地位,这不是典型的以貌取人吗?肤色能表示什么呢?哑奴是个有教养的人,他比那些攀权附势的人要好得多了。他懂得知恩图报,还很珍惜身边的亲人。哑奴的每一次拘谨都让我的心里好一阵抽痛,这是人性的扭曲啊!

当然,我喜欢这本《撒哈拉的故事》,她给了我一个全新的世界,让我认识了喜欢上了追求浪漫追求自由的三毛,让我莫名其妙地向往着那艰苦的充满冒险的沙漠生活哦。

《撒哈拉的故事》读后感400字篇三

当我放开《撒哈拉的故事》这本书,品味着三毛在沙漠中的生活,别有一番风味涌上心头。

这本书字里行间反映着大沙漠独有的地形地貌和风土人情,让读者犹如走进一幅充满异国风情的画卷。

三毛是个眷恋沙漠生活的女子,她勇敢地抛弃了繁华的都市生活来到大沙漠,但是迎接她的不是万紫千红,不是天高云淡,而是黄沙滚滚,水源奇缺,物质匮乏……

然而这一切难不倒三毛和荷西,他们动手设计房子,卖石灰水泥糊墙,补窗户,用装棺材的外箱改作家具,到垃圾场拾汽车外胎做鸟巢式的坐垫,巧用铁皮和玻璃制作风灯,用沙漠麻布缝制彩色窗帘……他们用自己的双手一起建设沙地城堡。

三毛在交通不便,物质贫乏的沙漠里过着艰难的生活,她始终在努力着,给沙漠的人治病,教他们读书写字,当然,在这些过程中她也结交了许多朋友。

她每天都保持着一种乐观积极地生活状态,在她的故事里,有许许多多的爱,她爱每一个人每一根小草每一棵小树……爱总是可以让人体会到温暖,爱可以消融一切,爱一切事物,爱一切风景……

人活着,就应该有理想与抱负。我们要为实现自己的梦想而努力。让平淡的生活注入爱的情愫,让爱滋润生命的心田。只有这样,我们才能面对一切挫折与失败,才能像三毛那样活出精彩人生,虽然短暂但却永恒。

《撒哈拉的故事》读后感400字篇四

逃到墓地里读书的三毛,总是一次又一次带来无与伦比的作品。

即使她过着流浪般的生活。

我有幸读到了一本三毛写的小说——《撒哈拉的故事》。深情演绎了三毛与挚爱荷西在沙漠旅行中的各种奇闻趣事,沙漠的狂野激情与三毛生活的幸福活泼巧妙融合在一起。捧起这本书,最最简单质朴的文字展现在我的眼前,语言的流利清爽让我陶醉其中。每一行如诗句般的叙述让我为之惊叹,她的作品平淡但不失独特。

其实这本书完全是在写实。

可我读出了童话的味道,赞美诗的味道。沙漠里的一切都在我的脑海中浮现,这种生活最简单的享受是由三毛带来的`。

三毛跑到沙漠,在那里和荷西结婚。她当撒哈拉威的医生,她用相机给人们收魂。她不在乎金钱,花一千块买了五个石像、她欣赏一切,去木材店拿来五口棺材来做桌子、她痛恨富人,把所有钱存进银行,只靠荷西微薄的工资奖金来生活。三毛就是一个普通人,也有着平常的女人情结,也会为生活绞尽脑汁。她的笔下,却总能让我们乐观生活,让我们怀着欢悦的心情来看待一切。

烛光前,我仍在读她的书。

不太亮的灯光照射着书中感人至深的平凡道理,即使雨下了,也浇不灭我对三毛的爱意。

即使生活再苦、再累,也要生活。就算我们是只木偶,也要在幕布下傻笑。因为我们要生活。

“咔嗒”一声,三毛收走了我的魂。

《撒哈拉的故事》读后感400字篇五

看到这本书封面对三毛的简介时,我还不明白为什么称她最浪漫、最真性情、最勇敢潇洒,我也对“流浪文字”一无所知。读完后我想说以我的能力只能渗透到一点,不过这“一点”足以令我震撼不已。

三毛的形象是完美的,她善良孝顺,敢作敢为,知足常乐,大胆机智,爱憎分明……仿佛每一个褒义词描述她都很贴切。语言风格也是变化不定,时而白话,时而柔美,时而沧桑,时而悲壮。整体书中的一篇篇仿佛一部部微型的“高清”的电影,使人身临其境。

《结婚记》中她追求形式简单的婚礼,却情真意切。她说“每想你一次,天上飘落一粒沙,从此形成了撒哈拉。”这样的妻子想必也只有善良稳重、负责孝顺的荷西才配得上。

《悬壶济世》中她慷慨地贡献出药物来帮助当地人,语言幽默,也许这就是她们会有那么多朋友的原因吧。

《荒山之夜》中荷西被困泥潭,危急之下又来几个流氓真是雪上加上霜。但三毛充分利用她的智慧摆脱流氓后成功救起荷西,令人佩服。

《哑奴》中三毛一家与奴隶之间建立了平等的友谊,一方知恩图报,而后者更值得肯定,因为他是连身体都不属于自己的奴隶,他让我看到真正的人生光辉。

以上都是我对一些片段的体会,但最最让我为之一颤的要属《沙巴军曹》。这位冷酷的军曹彻底颠覆我对故事发展的猜想!曾经,撒哈拉威人因冲突而杀光了他的兄弟,上天垂帘,醉酒的他逃过一劫。但当他醒来看到身边的兄弟时,当他亲手一个一个将他的兄弟埋葬时,我想这是比死了更痛苦的绞心的感受,所以他之后对撒哈拉威人的冷酷情有可原,不对,这应该是忍耐的最大限度。正是这样一个被仇恨折磨的人,却在最危急的时刻,用自己的生命换来几个他一向视为仇人的撒哈拉威孩子的性命。何其壮烈!何其发人深省!他的生命竟是这样结束的,他的死重于泰山!这是我头一次这么清晰地感受到人性的善良和温存!

这些故事不仅仅带给我了震撼,更多的是对人性的领悟。她的文字简单直接,平白如话,她的为人自然高尚,我发自内心地崇拜她。

《撒哈拉的故事》读后感400字篇六

以前还小的时候,初次听见三毛的名字,还以为是儿时喜爱看的《三毛流浪记》里,那个只有三根头发的流浪三毛。直到后来年纪渐长,才对这个作家三毛的故事了解得越来越多。也许三毛听到我这番话会跳起来大叫:“我就是流浪的三毛!”我倒也无法反驳,这的确是个自由不羁,浪迹天涯的三毛。

身边有位喜爱三毛的朋友,曾买来三毛作品全集,厚厚的一本,收到时眼里全是欣喜。我当时还没读过三毛的作品,自然无法产生共鸣,不过倒也加深了好奇。直至后来从书店捧了本《撒哈拉的故事》回家,才结识了这位不按常理出牌的三毛。

撒哈拉大沙漠,印象中应该是大片沙漠连结,广阔无垠,显得荒芜而又有些落后,没有任何想去的欲望。然而三毛出发了,引她的话,为了那“不能解释的,属于前世回忆似的乡愁,就莫名其妙,毫无保留地交给了那一片陌生的大地。”

翻开书的第一页,三毛在一开始选择叙述自己和丈夫荷西的沙漠饮食。就在我被三毛那自带的风趣迷惑,以为沙漠生活也是富有情趣的时候,后文让我明白了现实一开始并非如此浪漫。“白手成家”,这是三毛自己的概括。到垃圾场拾破烂做改造,讨来棺材外箱做家具,自己买来石灰水泥糊墙,把寄来的杂志放在书架上,这个小屋在坟场区鹤立鸡群。我敢说,沙漠因为三毛会有了一点点的不同。三毛仍然潇洒地浪漫,放上一卷录音带,“慢慢地坐下去,好似一个君王。”

当然,三毛是不会满足于待在家中的。她果断地跑到沙漠里寻找化石,九死一生,捡回条命来,也毫不犹豫地回答要继续寻找;她跑去海边捉鱼,做个“素人渔夫”,即使最后没有挣到钱,倒也乐在其中。她跑去观浴,跑去经历沙漠奇特的驾照考试,跑着跑那,永不疲倦。

其实更加鲜明难忘的是三毛笔下一个个沙漠人的形象。哑奴因为三毛的好心,真诚回报,因为家庭快乐,而在三毛为他打抱不平时,他表达出的“我的身体虽是不自由的,但我的心是自由的”让人惊叹。沙巴军曹因为全营的人被屠杀而因此记恨撒哈拉威人,却在危险时刻献身救下撒哈拉威的小孩,他守着的兄弟们的尸体都被运走了,自己却最终孤独埋葬在这片土地上。牵着羊的老头,服兵役的年轻人,爽朗的艺女等一位位的搭车客,这一路上见到的人,虽然都很普通,没有什么特别的意义,但就如三毛所说,如何能轻易忘却。

我一开始不明白没什么有那么多人会被《撒哈拉的故事》所吸引。后来想想,其实每个人都有相同的情感,即使肤色不同,语言不同,快乐与悲伤却是相同的。对生活追求的态度,处事的信仰,隔着纸张,淡淡触动心弦。我们大多数人都无法像三毛那样浪漫,勇敢又潇洒。我们的生活或许一成不变,平淡无奇,在一个固定的轨道上运转。但每个人心中或多或少,都有对远方的向往,想打破成规,想要去流浪,去探寻一张张鲜活的面孔和他们身后的故事。虽然现实是大多数人都无法做到,但我们能读一读《撒哈拉的故事》,娓娓道来,情感不突出却又浓烈。三毛的潇洒看起来或许是异于常人的,但这却引发无数共鸣与感叹。其实我们都一样心怀远方,远方就不再孤独。

《撒哈拉的故事》读后感400字篇七

三毛,这是一个陌生的名字。可自从我读了《撒哈拉的故事》后,我就迷上了三毛。

说实话,刚开始这本书对我的吸引并不大,因为我感觉这是一本写景,类似散文的那种。可自从我翻开书后,映入眼帘的,不是全描写景物多么多么好,随之发出感叹,而是三毛与荷西在沙漠生活的真实景象。每一个事件,都会给我不同的感受,而这样的书,正式我喜欢的。

《撒哈拉的故事》有太多令我震惊的地方,第一就是,三毛要求到沙漠里去生活!这令我很难相信,因为没有几个女人,会要求去沙漠中居住,所以我觉得,三毛是一个敢说敢做的人。也许,这就是为什么她的作品豪迈,霸气的原因吧。

三毛,是个奇女子!而这本书,在我看来,也是一本奇书。看这本书,就好像在看一部电影。虽然连一幅插图也没有,但那一字一词一句,已经让我身临其境,仿佛已经看到了撒哈拉的壮观,凄凉,撒哈拉威人的友善与蛮横,一支支军队和那些无辜的人们,仿佛我就是三毛,我就是荷西。

奇女子,奇书,他们在撒哈拉的生活,更奇。打仗,荷西险入沼泽,三毛病发险些身亡……这一幕幕的景象,让我感觉,她不是一个作家,而是一位探险家。撒哈拉里的日子,那么苦,可他们依旧能坚持。

三毛就是一个有着巨大勇气,毅力,智慧并且乐观的人,她好像沙漠里的一株花,一棵树,在沙漠里留下生动,离奇的故事。她和荷西,沙漠的爱,流淌在撒哈拉里……

《撒哈拉的故事》读后感400字篇八

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